Good, my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstract and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live.
Hamlet Act II, scene 2

As Hedda in Hedda Gabler

A Lifetime of Acting: The Foundation for My Voiceover Career

My journey into voiceover is deeply rooted in a rich history of professional acting, shaped by formal training and diverse experiences on stage. I earned my BFA in Performance Studies from Brooklyn College and my MFA from The Ohio State University, where I honed my craft through rigorous programs that laid the groundwork for a versatile acting career spanning over 30 years. My performances have graced stages across the nation and even abroad, earning accolades such as BEST ACTRESS for my portrayal of powerful characters like Anne Sullivan in Miracle Worker and Rita in Women on Fire.

Mastering the Craft: Training and Technique

Throughout my acting career, I’ve immersed myself in a variety of specialized training techniques that have become essential tools in my creative toolbox. From Stanislavsky’s method to Emotional Body Technique (Formerly: ALBA Emoting), and from Laban’s movement analysis to Linklater’s voice techniques, my training has been extensive and varied. I’ve also studied Suzuki Voice and Movement, Kabuki, Accents and Dialects, Directing, Improvisation, IPA, and Voice and Diction. Each of these disciplines has not only enriched my stage performances but has also been instrumental in my transition to voiceover work.

As an actor, I’ve had the privilege of bringing to life a wide range of characters, from the classical—like Kate in Taming of the Shrew, Olivia in Twelfth Night, and Hecuba in Trojan Women—to contemporary roles such as Honey in Who’s Afraid of Virginia Woolf, Edna in Prisoner of Second Avenue, Sara Lee in Daddy’s Dying Whose Got the Will and Anne Sullivan in Miracle Worker. Audience members have described my performances as “riveting,” “worth the price of the ticket,” and showcasing “unbelievable range.” These responses are what continue to drive my passion for performance, whether on stage or in the voiceover booth.

Transitioning to Voiceover: A Natural Evolution

The transition from stage to voiceover was a natural evolution for me, one that allowed me to leverage my extensive acting experience and training in new and exciting ways. My deep understanding of character development, emotional nuance, and vocal technique has been invaluable in the voiceover industry. This expertise was recently recognized with a prestigious One Voice Award Nomination for Best Political Demo, further solidifying my reputation as a skilled and versatile voiceover artist.

A Lifelong Commitment to Learning

For me, the pursuit of excellence in performance is a lifelong journey. I believe that training never truly ends, and I continue to seek out opportunities to grow as a performer. From participating in master classes on the latest performance techniques to continuously refining my voiceover skills, I remain committed to learning and evolving.

Whether I’m stepping onto the stage or into the recording booth, I bring a wealth of experience, a dedication to craft, and a passion for storytelling that resonates with audiences and clients alike.

    (Sample Show from top left to bottom:Rita in WOMEN ON FIRE)  Mary in VANITIES, Wife in PHOTOS AT AN EXHIBITION, Vera in TEN LITTLE INDIANS, Margo in TILL BETH DO US PART, Sara Lee in DADDY’S DYIN WHOSE GOT THE WILL)